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<text top="37" left="242" width="320" height="12" font="0"><b>-- gtjflQCO. FRIDAY. </b>DECEMBER <b>n, 1</b></text>
<text top="194" left="108" width="223" height="12" font="0"><b>GOOD EVE^I^G EVERYBODY:</b></text>
<text top="243" left="178" width="501" height="12" font="0"><b>^ Less than two hours ago, we radio listeners heard</b> </text>
<text top="290" left="108" width="618" height="12" font="0"><b>the greatest broadcastof all time. A truly extraordinary thing</b> </text>
<text top="337" left="109" width="618" height="12" font="0"><b>in power, pathos and simplicity.^ The simplicity of great drama</b> </text>
<text top="384" left="109" width="629" height="12" font="0"><b>began with the opening five words of introduction, as the London</b> </text>
<text top="432" left="108" width="153" height="12" font="0"><b>announcer said: </b></text>
<text top="432" left="276" width="451" height="12" font="0"><b>11 His Royal Highness, Prince Edward.11 There was</b></text>
<text top="478" left="109" width="589" height="12" font="0"><b>the theme — a king no longer 1 In the closing sign off, the</b> </text>
<text top="526" left="107" width="599" height="12" font="0"><b>English announcer concluded with the words: &#34;His Ex-Majesty.11</b> </text>
<text top="574" left="107" width="243" height="12" font="0"><b>Ending on the same theme.</b></text>
<text top="621" left="195" width="530" height="12" font="0"><b>Yesterday, in London, the DAILX EXPRESS announced this</b> </text>
<text top="667" left="107" width="610" height="12" font="0"><b>afternoon1s broadcast in these words:- &#34;Mr. Windsor will speak</b> </text>
<text top="713" left="108" width="599" height="12" font="0"><b>on the </b>radio <b>tomorrow.&#34; 2es, he1s David Windsor now, the man</b> </text>
<text top="759" left="107" width="657" height="12" font="0"><b>who was King, — King of England, Scotland, Wales and the Dominions</b> </text>
<text top="807" left="107" width="578" height="12" font="0"><b>Beyond the Seas, </b>Emperor of <b>India </b>and Defender of the <b>Faith.</b></text>
<text top="853" left="194" width="541" height="12" font="0"><b>We who had heard him speak on the radio before, when he</b> </text>
<text top="901" left="107" width="629" height="12" font="0"><b>was Prince </b>of <b>Wales and when he was Xing, knew his voice — light</b></text>
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<text top="52" left="109" width="70" height="12" font="1">LEAD - </text>
<text top="51" left="178" width="8" height="13" font="2"><i><b>2</b></i></text>
<text top="121" left="109" width="647" height="12" font="1">and bright, in those times. But those were happy times. Today we </text>
<text top="170" left="108" width="599" height="12" font="1">had a different tone of speech from His Royal Highness Prince </text>
<text top="219" left="107" width="647" height="12" font="1">Edward, His Ex-Majesty, Mr. ..indsor. His voice was hoarse,* seemed </text>
<text top="266" left="108" width="627" height="12" font="1">about to break, as if choking for utterance. It sounded like the </text>
<text top="313" left="107" width="618" height="12" font="1">voice Oi a man in tears. ^It was supremely the voice of one who </text>
<text top="361" left="107" width="627" height="12" font="1">after heart-searching and heart-struggle had given up the throne </text>
<text top="408" left="107" width="443" height="12" font="1">of the British Empire - for love, for a woman.</text>
<text top="457" left="244" width="471" height="12" font="1">He said so simply, that he had performed his last </text>
<text top="507" left="107" width="628" height="12" font="1">duty as King Emperor - meaning that he had signed his own abdica-</text>
<text top="557" left="107" width="41" height="12" font="1">tion</text>
<text top="556" left="149" width="46" height="13" font="2"><i><b>. )Be</b></i></text>
<text top="557" left="195" width="558" height="12" font="1"> made it clear that his struggle had been within himself, </text>
<text top="604" left="107" width="647" height="12" font="1">not against his ministers, not strife between persons. You noticed</text>
<text top="355" left="784" width="14" height="5" font="3">H:</text>
<text top="517" left="791" width="3" height="12" font="4">f</text>
<text top="527" left="783" width="14" height="9" font="5">I l'</text>
<text top="651" left="106" width="627" height="12" font="1">how he spoke his kindness toward Prime Minister Stanley Baldwin; </text>
<text top="698" left="107" width="684" height="12" font="1">how he said the Ministers had always given him the fullest considera-^ </text>
<text top="745" left="108" width="673" height="12" font="1">tion, and said his decision was his own, had been made within himself.</text>
<text top="793" left="107" width="328" height="12" font="1">For that1s where his struggle was.</text>
<text top="837" left="235" width="451" height="12" font="1">^The drama of an empire rose to a soaring note</text>
<text top="885" left="108" width="608" height="12" font="1">pathos when Edward embarked upon the theme that has stood first</text>
<text top="937" left="109" width="627" height="12" font="1">in the eyes of the world. There was something confessional about</text>
<text top="857" left="792" width="8" height="13" font="6">!|</text>
<text top="908" left="795" width="4" height="15" font="7">i</text>
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<text top="45" left="110" width="78" height="13" font="7">LEAD - S</text>
<text top="115" left="111" width="637" height="12" font="1">it, us tnough he were making his confession to the British Empire </text>
<text top="163" left="111" width="596" height="12" font="1">confession and a heart-touching appeal. Remember how he said:</text>
<text top="213" left="111" width="656" height="12" font="1">&#34;You must believe me when I tell you that I have found it impossible</text>
<text top="261" left="111" width="598" height="12" font="1">to carry this heavy burden and responsibility and to discharge</text>
<text top="309" left="110" width="99" height="12" font="1">duties as </text>
<text top="310" left="208" width="10" height="11" font="8"><i>U</i></text>
<text top="309" left="218" width="543" height="12" font="1"> king as I would wish to do, without the help and suppori</text>
<text top="355" left="110" width="204" height="12" font="1">of the woman I love.&#34;</text>
<text top="405" left="198" width="559" height="12" font="1">And then simplicity at its most affecting. Edwardfs voice</text>
<text top="453" left="109" width="637" height="12" font="1">at a breaking point when he used the words - &#34;matchless blessing.&#34;</text>
<text top="502" left="108" width="629" height="12" font="1">What blessing? &#34;A blessing&#34;, he said, &#34;enjoyed by so many of you</text>
<text top="549" left="109" width="598" height="12" font="1">and not bestowed on me - a happy home with wife and children.&#34;</text>
<text top="597" left="197" width="550" height="12" font="1">You can take all the great speeches on the stage, and all</text>
<text top="645" left="109" width="627" height="12" font="1">the splendid declamations of the classical drama, and yourll find</text>
<text top="693" left="110" width="636" height="12" font="1">nothing to approach the poignant appeal of the man who today spoke</text>
<text top="741" left="109" width="647" height="12" font="1">to the British Empire, one fourth of the human beings on this earth</text>
<text top="717" left="782" width="18" height="21" font="9"><b>| |p</b></text>
<text top="788" left="108" width="676" height="12" font="1">We will long remember those few simple words with whifih the ex-monardb</text>
<text top="836" left="110" width="627" height="12" font="1">explained how he had had to choose between the greatest crown on </text>
<text top="883" left="110" width="656" height="12" font="1">earth and the woman he loved; - and of how he had determined to give</text>
<text top="939" left="110" width="298" height="12" font="1">un the crown and vo into exile.</text>
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<text top="48" left="106" width="77" height="12" font="1">LEAD - <b>4</b></text>
<text top="118" left="204" width="510" height="12" font="1">&gt;01* eixile it is. He told us that when he saids &#34;It </text>
<text top="165" left="107" width="500" height="12" font="1">W be some time before I return to my native land.&#34;</text>
<text top="214" left="204" width="478" height="12" font="1">And then how he spoke of the Queen Mother, saying:</text>
<text top="261" left="106" width="595" height="12" font="1">&#34;During these hard days I have been comforted by Her Majesty, </text>
<text top="306" left="104" width="282" height="12" font="1">my Mother, and by my family.&#34;</text>
<text top="357" left="203" width="480" height="12" font="1">To his successor we heard him declare his loyalty.</text>
<text top="404" left="105" width="635" height="12" font="1">A.t the beginning, saying:- &#34;I have been succeeded by my brother, </text>
<text top="453" left="105" width="86" height="12" font="1">the Duke </text>
<text top="453" left="182" width="28" height="12" font="1">of </text>
<text top="452" left="210" width="69" height="13" font="7">York. </text>
<text top="453" left="278" width="336" height="12" font="1">My first  words must be to declare </text>
<text top="453" left="614" width="18" height="13" font="8"><i>my</i></text>
<text top="453" left="632" width="109" height="12" font="1">  allegiance</text>
<text top="502" left="104" width="75" height="12" font="1">to him. </text>
<text top="502" left="207" width="175" height="12" font="1">-his I do with all </text>
<text top="502" left="374" width="89" height="12" font="1">ray heart.&#34;</text>
<text top="550" left="202" width="529" height="12" font="1">and then those last words. These words:- &#34;And now we </text>
<text top="598" left="103" width="657" height="12" font="1">all have a new King. I wish him and you, his people, happiness and </text>
<text top="645" left="103" width="436" height="12" font="1">prosperity with  all my heart. God bless you. </text>
<text top="645" left="558" width="182" height="12" font="1">God  save the  King.&#34;</text>
<text top="692" left="203" width="179" height="12" font="1">So he  stepped out </text>
<text top="692" left="374" width="367" height="12" font="1">of the Empire! On  his  lips the  phrase</text>
<text top="739" left="104" width="636" height="12" font="1">that1s like an echo of Britain. Through the English centuries it </text>
<text top="786" left="103" width="628" height="12" font="1">rings, a lusty, cheering shout —— &#34;God Save the King!&#34; Never in </text>
<text top="835" left="103" width="647" height="12" font="1">British his tow was it spoken with so sad and broicen a voice as it </text>
<text top="883" left="105" width="626" height="12" font="1">spoken today. &#34;God Save the King!&#34; , to which the British Empire</text>
<text top="940" left="103" width="105" height="12" font="1">will echo: </text>
<text top="940" left="222" width="487" height="12" font="1">&#34;God Save His Royal Highness Prince Edward, His &amp;X-</text>
<text top="994" left="99" width="212" height="12" font="1">Majesty, Mr. Windsor.&#34;</text>
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<text top="55" left="108" width="95" height="14" font="10">^uEKN mAKY</text>
<text top="125" left="207" width="529" height="12" font="0"><b>An; today the Queen Mother speaks; makes hAJE-appeal to</b> </text>
<text top="173" left="109" width="636" height="12" font="0"><b>the far-ilung British Dominions. Like her son she speaks in such</b> </text>
<text top="223" left="110" width="597" height="12" font="0"><b>simple and aifectine: terms that little more is needed than to</b> </text>
<text top="271" left="109" width="607" height="12" font="0"><b>repeat her words. Addressing the people of the British Empire</b> </text>
<text top="316" left="110" width="96" height="12" font="0"><b>she says:-</b></text>
<text top="365" left="208" width="518" height="12" font="0"><b>MT need not speak to you of the distress that fills a</b> </text>
<text top="416" left="108" width="608" height="12" font="0"><b>mothers heart when I think that my dear son has deemed it his</b> </text>
<text top="464" left="109" width="281" height="12" font="0"><b>duty to lay down his charge.n</b></text>
<text top="511" left="217" width="491" height="12" font="0"><b>Then Queen Mary adds a plainly worded phrase which</b> </text>
<text top="559" left="108" width="609" height="12" font="0"><b>might be put on record as a classic and pathetic summary of the</b></text>
<text top="609" left="108" width="273" height="12" font="0"><b>drama of Edward the Eighth:-</b></text>
<text top="655" left="218" width="499" height="12" font="0"><b>,fThe reign,n says she, &#34;which was begun with so much</b></text>
<text top="706" left="108" width="368" height="12" font="0"><b>hope and promise, has suddenly ended.&#34;</b></text>
<text top="752" left="217" width="480" height="12" font="0"><b>The royal mother makes a plea for her royal son:-</b> </text>
<text top="802" left="109" width="607" height="12" font="0"><b>&#34;X know*&#34; she says, Pthat you will realize what it cost him to</b> </text>
<text top="850" left="108" width="587" height="12" font="0"><b>come to this decision. And she calls upon the people of the</b> </text>
<text top="899" left="108" width="609" height="12" font="0"><b>Empire to remember other years — &#34;The years,&#34; she pleads, &#34;in</b> </text>
<text top="946" left="108" width="606" height="12" font="0"><b>which he tried so eagerly to serve his country and his Empire.&#34;</b></text>
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<text top="59" left="106" width="136" height="12" font="1">CUEEfl MARY - <i><b>2</b></i></text>
<text top="127" left="195" width="538" height="12" font="1">laen after having appealed in behalf of one of her sons </text>
<text top="173" left="107" width="330" height="12" font="1">she appeals in behalf of another:-</text>
<text top="223" left="196" width="518" height="12" font="1">”1 commend to you his brother,” she tells the British </text>
<text top="270" left="105" width="667" height="12" font="1">Empire,T!his brother summoned so unexpectedly and under circumstances </text>
<text top="318" left="107" width="299" height="12" font="1">so painful, to take his place.*'”</text>
<text top="366" left="245" width="518" height="12" font="1">she recalls that former King, George the Fifth, whose </text>
<text top="414" left="107" width="646" height="12" font="1">queen she was, as she speaks for the present king:- ”1 ask you to </text>
<text top="463" left="107" width="637" height="12" font="1">give him the same full measure of generous loyalty which you gave </text>
<text top="510" left="107" width="676" height="12" font="1">to my beloved husband.” <i><b>the</b></i> Queen Mother — who sees one son leaving </text>
<text top="558" left="107" width="667" height="12" font="1">the throne — and another son taking the throne — makes her plea for</text>
<text top="608" left="107" width="39" height="13" font="12"><b>both</b></text>
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<text top="43" left="141" width="70" height="14" font="13"><b>IPrX4M)</b></text>
<text top="115" left="212" width="539" height="12" font="0"><b>Irish eyes were not smiling today - they were flashing.</b> </text>
<text top="163" left="143" width="601" height="12" font="0"><b>President deValera must have had flaming recollections of that</b></text>
<text top="211" left="143" width="590" height="12" font="0"><b>phrase of other days - the Irish Republic. -hat was what he</b> </text>
<text top="258" left="143" width="541" height="12" font="0"><b>fought for during the dreadful days .of Sinn Fein against</b></text>
<text top="314" left="692" width="42" height="24" font="14"><b>In®</b></text>
<text top="308" left="141" width="542" height="12" font="0"><b>Biack ana Tan - the Irish Republic which was compromised</b></text>
<text top="357" left="143" width="541" height="12" font="0"><b>semi-independence Sfc the Irish Free State. Today, in the</b></text>
<text top="405" left="142" width="580" height="12" font="0"><b>Irish Parliament deValera introduced.a bill to deal with the</b></text>
<text top="454" left="142" width="570" height="12" font="0"><b>abdication of Edward and the accession of his brother. The</b></text>
<text top="502" left="142" width="551" height="12" font="0"><b>bill is so framed that it would virtually make Ireland a</b> </text>
<text top="551" left="142" width="500" height="12" font="0"><b>republic - so far as internal affairs are concerned.</b></text>
<text top="600" left="269" width="415" height="12" font="0"><b>We have been hearing that Dublin would take</b></text>
<text top="648" left="142" width="590" height="12" font="0"><b>advantage of London^ constitutional crisis to push the cause</b></text>
<text top="696" left="142" width="551" height="12" font="0"><b>of Irish Independence and break a few more bonds with the</b></text>
<text top="746" left="142" width="600" height="12" font="0"><b>British Empire. That was confirmed^today in the terms of the</b> </text>
<text top="794" left="143" width="466" height="12" font="0"><b>new succession bill. It provicies^ttie Speaker of</b></text>
<text top="840" left="252" width="501" height="12" font="0"><b>the future*«^»tt«^P°wer to sign bills and dissolve</b></text>
<text top="857" left="210" width="166" height="12" font="0"><b>* \</b></text>
<text top="888" left="146" width="598" height="12" font="0"><b>the parliament - those are functions hitherto performed by the</b></text>
<text top="940" left="144" width="549" height="12" font="1">Governor-General, <b>as the representative </b>of <b>the King. The</b></text>
<text top="644" left="789" width="12" height="22" font="15"><b>II</b></text>
<text top="655" left="789" width="5" height="24" font="14"><b>I</b></text>
<text top="668" left="788" width="12" height="17" font="16"><b>II</b></text>
<text top="993" left="794" width="6" height="14" font="17"><i><b>i</b></i></text>
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<text top="31" left="146" width="108" height="12" font="0"><b>IRIXAriD - S</b></text>
<text top="98" left="258" width="105" height="12" font="0"><b>Drily.wourd</b></text>
<text top="100" left="146" width="602" height="12" font="0"><b>ivitiff's authority^wouTd be limited to foreign affairs. As long</b></text>
<text top="147" left="147" width="608" height="12" font="0"><b>as the i</b>1<b> ree State is associated with the Empire, Great Britain,</b></text>
<text top="195" left="146" width="572" height="12" font="0"><b>Canada, Australia, New Zealand and South Africa, the KingTs</b></text>
<text top="243" left="147" width="128" height="12" font="0"><b>authority in </b></text>
<text top="245" left="275" width="8" height="9" font="18"><b>h</b></text>
<text top="243" left="283" width="21" height="12" font="0"><b>J&amp;</b></text>
<text top="245" left="304" width="19" height="9" font="18"><b>sex</b></text>
<text top="243" left="323" width="412" height="12" font="0"><b> international affairs would be recognized.</b></text>
<text top="291" left="146" width="406" height="12" font="0"><b>The deValera bill puts it in these words: </b></text>
<text top="291" left="566" width="143" height="12" font="0"><b>&#34;The King is so</b></text>
<text top="338" left="147" width="534" height="12" font="0"><b>recognized and may, and is hereby authorized, to act on</b></text>
<text top="387" left="147" width="600" height="12" font="0"><b>behalf of the Irish Free State for like, purposes.?f Thaljmeans</b> </text>
<text top="419" left="147" width="601" height="12" font="0"><b>diplomatic purposes. Under these conditions, the Irish Free</b></text>
<text top="559" left="147" width="619" height="12" font="0"><b>development in the historic struggle between John Bull and that</b> </text>
<text top="606" left="147" width="560" height="12" font="0"><b>w&amp;ifciSr*. island of his^/as George Bernald Shaw phrased it.</b></text>
<text top="621" left="218" width="9" height="18" font="19"><b>4</b></text>
<text top="652" left="147" width="582" height="12" font="0"><b>The affair of Mrs. Simpson gives the opportunity for another</b></text>
<text top="701" left="149" width="299" height="12" font="0"><b>step toward the Irish Republic.</b></text>
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<text top="41" left="138" width="68" height="13" font="7">ROMANCE</text>
<text top="113" left="207" width="519" height="12" font="1">A radio listener of Springfield, Massachusetts, sends </text>
<text top="164" left="167" width="578" height="12" font="1">an interesting clipping from a Springfield naper. It tells </text>
<text top="212" left="137" width="559" height="12" font="1">a story of romance between an American woman and a king - </text>
<text top="260" left="137" width="569" height="12" font="1">anu tneii* marriage, Not a lady from Baltimore, but a girl </text>
<text top="310" left="137" width="626" height="12" font="1">from Springfield. Not a king of England, but a king of Portugal </text>
<text top="357" left="215" width="548" height="12" font="1">Nearly a hundred years ago, back in the Eighteen Forties </text>
<text top="406" left="136" width="617" height="12" font="1">a Swiss tailor and his family immigrated to*America and settled </text>
<text top="455" left="136" width="617" height="12" font="1">down in Springfield, Massachusetts. B.e opened a tailoring shop </text>
<text top="503" left="137" width="587" height="12" font="1">there. His eldest daughter, Elise, sang in'the choir of the </text>
<text top="554" left="135" width="617" height="12" font="1">North Church. The beauty of her voice was the sensation of the </text>
<text top="603" left="136" width="559" height="12" font="1">tom. She studied for opera, went to Europe and became a </text>
<text top="655" left="136" width="211" height="12" font="1">renowned prima donna.</text>
<text top="700" left="214" width="517" height="12" font="1">In due time Elise Hensler, the girl from Springfield, </text>
<text top="747" left="136" width="587" height="12" font="1">opened a xx brilliant operatic season at Lisbon, in the opera</text>
<text top="793" left="137" width="260" height="12" font="1">it La ScWSambula”. She sang </text>
<text top="793" left="465" width="239" height="12" font="1">devinely. The Portuguese</text>
<text top="809" left="202" width="10" height="15" font="20"><b>A</b></text>
<text top="842" left="136" width="558" height="12" font="1">ruling family sat in the royal box and acclaimed her with </text>
<text top="890" left="136" width="577" height="12" font="1">enthusiasm - especially the king. He fell in love with her </text>
<text top="939" left="137" width="365" height="12" font="1">then and there, love at first sieht. </text>
<text top="941" left="502" width="19" height="11" font="21"><i>He</i></text>
<text top="939" left="521" width="193" height="12" font="1"> got an introduction</text>
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<text top="43" left="131" width="107" height="13" font="7">ROMANCE - <i>2</i></text>
<text top="7" left="693" width="9" height="5" font="3">viv</text>
<text top="110" left="131" width="578" height="12" font="0"><b>to her and it vrasn*t long before he proposed marriage. She</b> </text>
<text top="159" left="131" width="561" height="12" font="0"><b>accepted - and became the king's wife in June of Eighteen</b> </text>
<text top="209" left="131" width="338" height="12" font="0"><b>Fifty-Two. She even became queen; </b></text>
<text top="209" left="541" width="161" height="12" font="0"><b>they had no great</b></text>
<text top="258" left="132" width="606" height="12" font="0"><b>KHMXixiiHtism constitutional scruples about that in Portugal.</b> </text>
<text top="307" left="132" width="598" height="12" font="0"><b>The girl from Springfield became Countess of Elda - consort to</b></text>
<text top="356" left="133" width="386" height="12" font="0"><b>His Tiajesty, King Ferdinand of Portugal.</b></text>
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<text top="35" left="129" width="38" height="11" font="23"><b>POPE</b></text>
<text top="93" left="202" width="96" height="9" font="24"><b>. .. . .... </b></text>
<text top="90" left="298" width="162" height="12" font="1">..................</text>
<text top="103" left="198" width="471" height="11" font="23"><b>A .Lau Vtiio was a mountain climber in his youth and</b></text>
<text top="151" left="128" width="283" height="11" font="23"><b>middle-age, can be a restless</b></text>
<text top="160" left="416" width="4" height="6" font="3">A </text>
<text top="161" left="470" width="4" height="5" font="25"><i>.</i></text>
<text top="160" left="473" width="81" height="6" font="3">.... . bgi ii <i>*</i>... ...  itguJUii IP4M</text>
<text top="167" left="413" width="41" height="11" font="26"><b>/A </b></text>
<text top="167" left="545" width="7" height="11" font="26"><b>ft</b></text>
<text top="157" left="566" width="141" height="11" font="23"><b>patient when he</b></text>
<text top="339" left="74" width="53" height="24" font="27"><i><b>xtlit</b></i></text>
<text top="166" left="433" width="24" height="12" font="0"><b>A </b></text>
<text top="166" left="545" width="7" height="12" font="0"><b>ft</b></text>
<text top="203" left="130" width="596" height="11" font="23"><b>is bed-ridden, in illness and old age. Having had sturdy legs</b> </text>
<text top="253" left="130" width="559" height="11" font="23"><b>that scaled summits, he can find it hard, to resign himself</b></text>
<text top="303" left="130" width="578" height="11" font="23"><b>when those legs have become half paralysed. ThatTs what the</b></text>
<text top="334" left="203" width="59" height="14" font="13"><b>H^jvO </b></text>
<text top="334" left="370" width="31" height="14" font="13"><b>---</b></text>
<text top="351" left="129" width="560" height="11" font="23"><b>Vatican ka»^HtenSa^DlSE(; - with their uatient. Pope Pius the</b></text>
<text top="366" left="198" width="23" height="11" font="23"><b>^ </b></text>
<text top="366" left="341" width="16" height="11" font="23"><b>A</b></text>
<text top="383" left="212" width="29" height="22" font="15"><b>'IF</b></text>
<text top="391" left="242" width="8" height="12" font="1">7</text>
<text top="400" left="129" width="548" height="11" font="23"><b>Eleventh.The Pontiff is making progress in his illness.</b></text>
<text top="448" left="129" width="579" height="11" font="23"><b>Last night he enjoyed the best sleep he has had since he was</b></text>
<text top="498" left="131" width="568" height="11" font="23"><b>stricken. But he still has to stay in bed, and that’s what</b></text>
<text top="548" left="131" width="214" height="11" font="23"><b>irks him. One surmise</b></text>
<text top="598" left="131" width="270" height="11" font="23"><b>never be able to walk again.</b></text>
<text top="545" left="442" width="276" height="11" font="23"><b>Vatican'torfriyaafrTT* that he may</b></text>
<text top="556" left="426" width="16" height="11" font="8"><i>* </i></text>
<text top="556" left="511" width="22" height="11" font="8"><i>\ </i></text>
<text top="556" left="597" width="9" height="11" font="8"><i>A</i></text>
<text top="648" left="132" width="75" height="11" font="23"><b>invalid.</b></text>
<text top="594" left="462" width="238" height="11" font="23"><b>remain partly at least an</b></text>
<text top="643" left="348" width="380" height="11" font="23"><b>prospect to call for a world of patience</b></text>
<text top="691" left="131" width="482" height="11" font="23"><b>on the part of the Pope who was a mountain climoer</b></text>
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<text top="18" left="110" width="119" height="15" font="20"><b>ggXLMEMMIg</b></text>
<text top="120" left="190" width="511" height="12" font="0"><b>The news today brings us a success story of the good</b> </text>
<text top="167" left="112" width="599" height="12" font="0"><b>old-fashioned sort — although it's set in the lofty realm of</b> </text>
<text top="210" left="111" width="55" height="12" font="0"><b>music.</b></text>
<text top="261" left="190" width="550" height="12" font="0"><b>Last year New fork's world famous Philharmonic Orchestra</b> </text>
<text top="308" left="111" width="627" height="12" font="0"><b>faced a perilous future. For years it had been dominated by the</b> </text>
<text top="353" left="112" width="627" height="12" font="0"><b>great Toscannini. Last year Toscannini retired — so what would</b> </text>
<text top="399" left="111" width="454" height="12" font="0"><b>the Philharmonic do? Who could fill his shoes?</b></text>
<text top="446" left="199" width="491" height="12" font="0"><b>So — the Philharmonic picked five successors. It</b> </text>
<text top="493" left="112" width="607" height="12" font="0"><b>seemed they didn»t dare engage just one man to succeed the one</b> </text>
<text top="540" left="110" width="616" height="12" font="0"><b>and one Toscannini. They chose variety - an English conductor,</b> </text>
<text top="586" left="110" width="645" height="12" font="0"><b>a Mexican, two Russians and a Roumanian — they to do their stuff,</b> </text>
<text top="634" left="111" width="173" height="12" font="0"><b>one after another.</b></text>
<text top="679" left="188" width="538" height="12" font="0"><b>The hot spot would be for the one who began the season.</b> </text>
<text top="726" left="111" width="617" height="12" font="0"><b>HeTd have to start in where Toscannini had left off. He’d have</b> </text>
<text top="773" left="110" width="598" height="12" font="0"><b>to step right into the maestro*s big shoes* The hot spot was</b> </text>
<text top="819" left="110" width="608" height="12" font="0"><b>assigned to the Englishman. Nobody had ever heard of him. His</b></text>
<text top="864" left="109" width="639" height="12" font="0"><b>name _ John Barbirolli; didnTt sound so British; of English birth</b></text>
<text top="909" left="110" width="615" height="12" font="0"><b>and rearing _ his father an Itlaian, his mother a French woman.</b></text>
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<text top="34" left="110" width="155" height="12" font="1">PHILHARMONIC - S</text>
<text top="114" left="111" width="558" height="12" font="0"><b>He ftas oi musical ancestry, a family of orchestra players.</b></text>
<text top="163" left="110" width="599" height="12" font="0"><b>Both his father and his grandfather, at LaScala in Milan, had</b> </text>
<text top="210" left="110" width="627" height="12" font="0"><b>played in the orchestra at the world premier of Verdi*s &#34;Otello.*’</b></text>
<text top="257" left="198" width="559" height="12" font="0"><b>But where had this young John Barbirolli been conducting?</b> </text>
<text top="304" left="110" width="619" height="12" font="0"><b>The answer was — at Leeds, amid the looms and broad dialect of</b> </text>
<text top="351" left="111" width="647" height="12" font="0"><b>Yorkshire, and in Scotland, where the heather grows — but whoever</b> </text>
<text top="397" left="110" width="541" height="12" font="0"><b>heard of those places as art centers of symphonic music?</b></text>
<text top="444" left="199" width="530" height="12" font="0"><b>This season I listened with plenty of interest to what</b> </text>
<text top="490" left="110" width="628" height="12" font="0"><b>I heard among orchestra players. Here in Rockefeller Center, at</b> </text>
<text top="536" left="110" width="581" height="12" font="0"><b>N.B.C., youfll find a clearing house for musicians, in from</b> </text>
<text top="583" left="111" width="608" height="12" font="0"><b>everywhere, with </b>gossip <b>of the profession. They said in their</b> </text>
<text top="630" left="110" width="587" height="12" font="0"><b>hard—boilded way, the young chap was okay, knew</b>7<b> his business.</b></text>
<text top="677" left="110" width="609" height="12" font="0"><b>The critics were more flowery. The public expressed itself at</b> </text>
<text top="726" left="110" width="143" height="12" font="0"><b>the box office.</b></text>
<text top="770" left="188" width="531" height="12" font="1">Meanwhile, the young conductor had learned to like the </text>
<text top="817" left="109" width="619" height="12" font="1">U.S.A. His Americanization became complete when he came around </text>
<text top="863" left="111" width="606" height="12" font="1">talking enthusiastically about — little round caks with noles </text>
<text top="908" left="111" width="637" height="12" font="1">in them. <b>It </b>seems he was kept a long time one day, going through </text>
<text top="955" left="111" width="626" height="12" font="1">a violin chncherto with Heifetz. Missed his dinner and dashed to</text>
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<text top="34" left="111" width="147" height="12" font="1">PHILHARMONIC - </text>
<text top="33" left="258" width="8" height="13" font="22"><i>2</i></text>
<text top="114" left="113" width="588" height="12" font="0"><b>tne nearest plac© for a bite, a place where he had got those</b> </text>
<text top="162" left="113" width="628" height="12" font="0"><b>little round cakes, a doughnut shop; good old-fashioned American</b> </text>
<text top="209" left="114" width="643" height="12" font="0"><b>sinkers. Barbirolli ate a dozen — and didn*t die of indigestionl</b> </text>
<text top="256" left="113" width="636" height="12" font="0"><b>That’s being Americanized in a hurry. So, he*d better make good,</b> </text>
<text top="303" left="114" width="634" height="12" font="0"><b>if he wanted to stay Americanized and continue the doughnut diet*</b> </text>
<text top="350" left="201" width="501" height="12" font="0"><b>Today we have an announcement from the Philharmonic</b> </text>
<text top="397" left="114" width="656" height="12" font="0"><b>Society about the young man who came over here to fill Toscannini’s</b> </text>
<text top="444" left="116" width="549" height="12" font="0"><b>shoes. They’ve signed him to a contract, to be the sole</b> </text>
<text top="490" left="114" width="626" height="12" font="0"><b>Philharmonic conductor — for three years beginning next season.</b> </text>
<text top="537" left="114" width="599" height="12" font="0"><b>Barbirolli will have complete charge of the orchestra left by</b> </text>
<text top="583" left="114" width="647" height="12" font="0"><b>Toscannini -- at a fat salary, enough to buy doughnuts for himself</b> </text>
<text top="631" left="115" width="413" height="12" font="0"><b>and lady. —--  And SOLONG UNTIL TIMORROW*</b></text>
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